Recently I discovered the work of Mark Hearld. Born in 1974, Mark studied illustration at Glasgow College of Art and then completed an MA in Natural History Illustration at the Royal College of Art. His work directly reflects this extended and specific education.
Mark Hearld’s art works combines
his individual style of collage, printmaking and mark making. His compositions also
reflect his distinctive style.
Many
of his images are created by building up layers. Firstly collage, secondly
mark making and finally a linocut. The last layer, the linocut, feels like a
seal on the image or a stamp of approval.
Perhaps this helps him to stop playing with an image any longer, and
to complete it, an issue I have with my our own work from time to time. As a body of work, he mixes linocuts with his own pattern
making. The use of repeated patterns is a constant theme throughout his work. He uses both marks and collage to make an image
appear patterned and textured. Although he does not draw each feather
individually on the owl, the pattern gives the impression of being very detailed.
His love of nature and all things natural is not only expressed in
his subject matter, but it expands into his mark making and the patterns used
in his images. This makes all of his images unique and very distinctive. His
love of nature may also link to why His work is exclusively hand generated
and he does not use programs such as Illustrator or Photoshop to enrich his
work. Therefore his work has a tendency to look flat and not very three-dimensional, this is very clear in the body of the bird and the chest and face are
very flat, however the wings are richly textured. We see an
alternative method Hearld uses to add a third dimension to otherwise very flat
images.




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